Tag Archives: LIttle House on the Prairie

Book Review: Prairie Man by Dean Butler

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Dean Butler as Almanzo Wilder
in Little House on the Priarie

This year, the TV show Little House on the Prairie celebrates 50 years since its television debut.  Oh, and does that show still have a following.  To celebrate, several events were held at various locations throughout the country, including most of the homesites of the Ingalls and Wilder families.  They even recreated several of the sets at Big Sky Movie Ranch in Simi Valley, California, where most of the series was filmed.  Infamously, the last installment of the series saw the original set of the town literally destroyed as part of the plot.  Under the terms of filming, the producers of Little House on the Prairie contractually had to return the land to its original condition.

So, where does Prairie Man by Dean Butler come in?  First, the book debuted this summer in the midst of all of the events.  Second, and most importantly, Dean Butler, who played Almanzo Wilder in the last years of the series, and Alison Arngrim, the one and only Nellie Oleson, who famously penned Confessions of a Prairie B*tch, have worked tirelessly to keep the legacy of the TV show alive.  In fact, this entire year, they decided to host a podcast dedicated to all things relating to the 50th anniversary of the Little House on the Prairie TV show.

Prairie Man stands out for a couple of reasons.  First, I may not be technically correct on this, but I believe that Dean Butler is the oldest surviving male cast member.  Several actors that played young boys on the series survive, but the grown men, including Michael Landon, Victor French, Richard Bull, and Dabs Greer, just to name a few, are long gone.  While there are several memoirs written by female cast members, including two alone written by Melissa Gilbert, Prairie Man is the only one written by a man. 

While I’ve only read Confessions of a Prairie B*tch by Alison Arngrim (you can read my review here) and Prairie Man by Dean Butler, they could not be more different.  I loved both, but I enjoyed Butler’s sense of history, not to mention his diplomatic handling of tensions between fans of the books and fans of the TV show.  He addressed all of the controversies surrounding both series well.

I learned a lot.  While I knew that Rose Wilder Lane’s “adopted” grandson, Roger Lea McBride, ended up with the television rights to the novels, I did not know the full story.  The real story is included in Prairie Man.  In the early 70s, Ed Friendly purchased the rights from McBride due to his wife’s and daughter’s love of the books.  Only when Michael Landon became involved as executive producer, taking the TV show further and further from the original books, did trouble occur.  According to Butler, Roger Lea McBride became horrified when realized what he had done.  Like Friendly, he envisioned a TV series much more faithful to the books.

The real Almanzo Wilder, subject of Farmer Boy by Laura Ingalls Wilder

Eventually, all of this grew tension between Landon and Friendly.  Landon’s vision, of course, ultimately prevailed.  It may have been for the best.  Ask yourself, how many children and adults were introduced to the books via the TV show?  Alison Arngrim even admitted that she didn’t read the books until after being cast as quite possibly the best child villain ever portrayed on television, Nellie Oleson.  Michael Landon may have taken extreme creative license, but love it or hate it, Little House on the Prairie, the television show, is still shown all over the world in syndication 50 years later.  It will not die.

The funny thing is that I used to blame Roger Lea McBride for selling the rights to the television series and Michael Landon for what it became.  I used to view the Little House series of books as a cautionary tale as to what can happen if an author’s legacy isn’t well-guarded or just ends up in the hands of attorneys.  For those who don’t know, Rose Wilder Lane never had children (she never formally adopted Lea), and thus, with her death in 1968, Laura Ingalls Wilder and Almanzo Wilder no longer had any direct descendents.  I see it differently today.  I suppose I now subscribe to the old saying “any publicity is good publicity.”

While I probably would have discovered all of the books on my own, especially after my 2nd grade teacher, Mrs. Butz, read Little House in the Big Woods to our class, I doubt any of it would have left such a lasting impression without the TV show.  Early elementary school would not have been the same without it.  I distinctly remember jumping off the bus after school, pigtails flying behind me, eager to catch the 4 PM reruns.  Funny note:  Due to the fact that I grew up on the reruns, I thought Dean Butler was significantly younger, by at least a decade, than he actually is.  His book, of course, made this clear.

Today, I am not necessarily a fan of the TV show, although I do greatly admire what Dean Butler and Alison Arngrim have done for all Little House on the Prairie fans.  I suppose I am not a typical fan.  Normally, most people are devoted fans of the books or the TV show, not necessarily both.  More than anything, I am a huge fan of the real person, the writer herself, the real Laura.  Her true story is far more fascinating than just the books.  She lived an incredibly full additional 70 years after the life she described in all of her books.  When you add in all of the drama surrounding her only daughter, Rose Wilder Lane, it justifies all of the relatively new scholarly work surrounding the Ingalls and Wilder families.  There are still so many questions left to answer.

If you are interested in the Little House series at all, whether book or TV show, Prairie Man is well worth reading.  Butler makes the case that he feels he was born to play Almanzo.  Growing up on a ranch in California, he describes in detail how his entire career has been shaped by that one role.  As he grew older, he decided to lean into it and run with it, much as Alison Arngrim has over the last few decades.  Fortunately for Little House fans, its incredible legacy is in good hands for the time being.

You can also check my review of Prairie Fires by Caroline Fraser here.

Book Review:  Confessions of a Prairie B*tch by Alison Arngrim (Audiobook)

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Where do I begin?  First, if you are or were a fan of The Little House on the Prairie TV show in the 70s and 80s, I can’t recommend this book enough.  Be aware:  This isn’t saccharine.  Far from it.  If you are easily offended, this probably isn’t for you.  However, if you loved to hate Nellie as a little girl and wished each week for Laura to give Nellie exactly what she deserved – in spades – this book is for you.  If you ever thought that playing the most outrageous villain possible on TV would be fun, once again, this book is for you.  Last but not least, if you count Nellie Oleson and her overbearing mother Harriet among the favorite TV characters from your childhood, you need to read this book.

Frankly, both The Little House on the Prairie TV show and the children’s book series were a huge part of my childhood.  I can’t imagine growing up without either.  I do know that by 2nd grade, I was hooked.  Mrs. Butz reading Little House in the Big Woods to our 2nd grade class saw to that.  In early elementary school, I would fly off the bus to make sure I didn’t miss the start of Little House on the Prairie at 4 PM, in much the same way I made sure I was home at 4 PM during my high school years to watch Oprah.  It was simply what I did, and I loved every minute of it.

I know that there are still a lot of adult fans of the show out there – millions of them, in fact – but I’m not really one of them.  As an adult, I couldn’t get over the increasingly bizarre storylines that strayed further and further from the books – Albert’s opium addiction, anyone?  Then there was the issue of no mountains in Minnesota, where the show was supposedly set, and the fact that the Ingalls family spent a big part of Laura’s childhood in DeSmet, South Dakota.  In reality, the Ingalls family didn’t live in Walnut Grove for long.  Still, there was something special about the show.  It might be a little too sweet for my taste now, but back then, it was the best.

Nellie and Harriet made the show, of course.  The Ingalls were so wholesome and down to earth that they needed Nellie and Harriet as foils.  Personally, I think the show would not have worked without their over-the-top antics.  They had to be just that outrageous. In the book, Alison talks lovingly about her TV parents.  Supposedly, in real life, they were similar to their TV characters, although Katherine MacGregor (Harriet) was much nicer, even if just as bold.  Alison’s descriptions of Katherine alone make the book worthwhile.  As fun as Harriet was to watch, the best scenes were the ones in which Nellie and Laura actually fight.

About Laura and Nellie … in real life, Alison Arngrim (Nellie) and Melissa Gilbert (Laura) were best friends.  They spent a lot of time together on and off set and at each other’s homes.  One of their favorite pastimes happened to be simply appearing in public together.  People freaked out.  I can only imagine how much fun they had playing up their “rivalry.”

Alison’s antics with Melissa Gilbert are a great part of the book, but there is so much to unpack here.  First, there is that voice.  I chose to listen to the audiobook version as soon as I learned that she read her own book.  As soon as I started listening, I knew I had made the right choice.  Regardless, the book would have hit me with a huge wave of nostalgia, but Alison reading her book in a voice that I have always associated with childhood evil personified:  priceless.

In all fairness to Alison, she comes across as extremely down to earth in her book to the point that I’d actually love to meet her.  She spends quite some time discussing the perils and perks of playing one of TV’s greatest child villains.  Can you imagine growing up playing a character people loved to hate?  Once, during a publicity event at a private school, an event that she attended with Katherine MacGregor (Harriet Oleson), both in full costume, some of the students shoved her so hard that she laid face down on the pavement for a while until her father realized what had happened to her.  He ended up taking her home immediately.  It was the last time she attended a publicity event in costume.  How do you deal with that all before adolescence?

Alison Arngrim as Nellie Oleson with her TV mother, Katherine MacGregor as Harriet Oleson.

In the book, Alison uses the trauma she experienced as a child as a way to frame her memoir.  No, her trauma isn’t exactly what comes to mind with young stars and Hollywood, but sadly, it seems all the more common – and of course, very real.  I’m not going to discuss it here for many reasons; the main one being that, in a way, it is the point of her memoir.  I don’t want to spoil it for those who haven’t read it.  She has used that trauma to try and help prevent others from experiencing the same thing.  In essence, she uses her “inner b*tch” to create real legislative change in an effort to protect kids – all kids.

One of the more interesting tidbits I learned in the book is the history behind why the TV show deviated so much from the books.  Michael Landon supposedly exclaimed at one time:  “My God!  Have you actually read the books?  There are descriptions of churning butter!”  In other words, they had to up the action.  I get it, I do.  What makes a great book doesn’t necessarily make great television.

I suppose that’s what has always bothered me about the TV show.  As an aspiring writer, it sickened me to think what happened to Laura Ingalls Wilder’s original work.  Now, older and wiser, I can see the value of the TV show too.  I am sure it inspired millions of kids to pick up the original books.  All publicity is good publicity, right? For people who grew up with the TV show, I can’t recommend Confessions of a Prairie B*tch enough.  There are so many great aspects to Alison Arngrim’s memoir.  It is a wonderful combination of nostalgia, good story, and humor.  By the way, Alison’s voice impression of Melissa Gilbert is hilarious.  Several other memoirs have been written by the child stars of Little House on the Prairie.  In fact, I plan on reading both of Melissa Gilbert’s books.  I will be surprised if Confessions of a Prairie B*tch doesn’t remain my favorite.