Tag Archives: TV

Book Review:  Confessions of a Prairie B*tch by Alison Arngrim (Audiobook)

Where do I begin?  First, if you are or were a fan of The Little House on the Prairie TV show in the 70s and 80s, I can’t recommend this book enough.  Be aware:  This isn’t saccharine.  Far from it.  If you are easily offended, this probably isn’t for you.  However, if you loved to hate Nellie as a little girl and wished each week for Laura to give Nellie exactly what she deserved – in spades – this book is for you.  If you ever thought that playing the most outrageous villain possible on TV would be fun, once again, this book is for you.  Last but not least, if you count Nellie Oleson and her overbearing mother Harriet among the favorite TV characters from your childhood, you need to read this book.

Frankly, both The Little House on the Prairie TV show and the children’s book series were a huge part of my childhood.  I can’t imagine growing up without either.  I do know that by 2nd grade, I was hooked.  Mrs. Butz reading Little House in the Big Woods to our 2nd grade class saw to that.  In early elementary school, I would fly off the bus to make sure I didn’t miss the start of Little House on the Prairie at 4 PM, in much the same way I made sure I was home at 4 PM during my high school years to watch Oprah.  It was simply what I did, and I loved every minute of it.

I know that there are still a lot of adult fans of the show out there – millions of them, in fact – but I’m not really one of them.  As an adult, I couldn’t get over the increasingly bizarre storylines that strayed further and further from the books – Albert’s opium addiction, anyone?  Then there was the issue of no mountains in Minnesota, where the show was supposedly set, and the fact that the Ingalls family spent a big part of Laura’s childhood in DeSmet, South Dakota.  In reality, the Ingalls family didn’t live in Walnut Grove for long.  Still, there was something special about the show.  It might be a little too sweet for my taste now, but back then, it was the best.

Nellie and Harriet made the show, of course.  The Ingalls were so wholesome and down to earth that they needed Nellie and Harriet as foils.  Personally, I think the show would not have worked without their over-the-top antics.  They had to be just that outrageous. In the book, Alison talks lovingly about her TV parents.  Supposedly, in real life, they were similar to their TV characters, although Katherine MacGregor (Harriet) was much nicer, even if just as bold.  Alison’s descriptions of Katherine alone make the book worthwhile.  As fun as Harriet was to watch, the best scenes were the ones in which Nellie and Laura actually fight.

About Laura and Nellie … in real life, Alison Arngrim (Nellie) and Melissa Gilbert (Laura) were best friends.  They spent a lot of time together on and off set and at each other’s homes.  One of their favorite pastimes happened to be simply appearing in public together.  People freaked out.  I can only imagine how much fun they had playing up their “rivalry.”

Alison’s antics with Melissa Gilbert are a great part of the book, but there is so much to unpack here.  First, there is that voice.  I chose to listen to the audiobook version as soon as I learned that she read her own book.  As soon as I started listening, I knew I had made the right choice.  Regardless, the book would have hit me with a huge wave of nostalgia, but Alison reading her book in a voice that I have always associated with childhood evil personified:  priceless.

In all fairness to Alison, she comes across as extremely down to earth in her book to the point that I’d actually love to meet her.  She spends quite some time discussing the perils and perks of playing one of TV’s greatest child villains.  Can you imagine growing up playing a character people loved to hate?  Once, during a publicity event at a private school, an event that she attended with Katherine MacGregor (Harriet Oleson), both in full costume, some of the students shoved her so hard that she laid face down on the pavement for a while until her father realized what had happened to her.  He ended up taking her home immediately.  It was the last time she attended a publicity event in costume.  How do you deal with that all before adolescence?

Alison Arngrim as Nellie Oleson with her TV mother, Katherine MacGregor as Harriet Oleson.

In the book, Alison uses the trauma she experienced as a child as a way to frame her memoir.  No, her trauma isn’t exactly what comes to mind with young stars and Hollywood, but sadly, it seems all the more common – and of course, very real.  I’m not going to discuss it here for many reasons; the main one being that, in a way, it is the point of her memoir.  I don’t want to spoil it for those who haven’t read it.  She has used that trauma to try and help prevent others from experiencing the same thing.  In essence, she uses her “inner b*tch” to create real legislative change in an effort to protect kids – all kids.

One of the more interesting tidbits I learned in the book is the history behind why the TV show deviated so much from the books.  Michael Landon supposedly exclaimed at one time:  “My God!  Have you actually read the books?  There are descriptions of churning butter!”  In other words, they had to up the action.  I get it, I do.  What makes a great book doesn’t necessarily make great television.

I suppose that’s what has always bothered me about the TV show.  As an aspiring writer, it sickened me to think what happened to Laura Ingalls Wilder’s original work.  Now, older and wiser, I can see the value of the TV show too.  I am sure it inspired millions of kids to pick up the original books.  All publicity is good publicity, right? For people who grew up with the TV show, I can’t recommend Confessions of a Prairie B*tch enough.  There are so many great aspects to Alison Arngrim’s memoir.  It is a wonderful combination of nostalgia, good story, and humor.  By the way, Alison’s voice impression of Melissa Gilbert is hilarious.  Several other memoirs have been written by the child stars of Little House on the Prairie.  In fact, I plan on reading both of Melissa Gilbert’s books.  I will be surprised if Confessions of a Prairie B*tch doesn’t remain my favorite.

Review: Night Court (2023) (Reboot)

Good ol’ Night Court.  I have to admit:  I’ve been a fan as long as I can remember.  Growing up in the ‘80s rocked and that included TV.  My favorites were The Cosby Show, The Wonder Years, Cheers, and of course, Night Court.  Something essentially slapstick quirky just resonated with kids.  I largely tuned in for all the zany characters and the craziness that befell the cast.  Keep in mind I was all of 11 when it went off the air.

My mom remembers that my favorite character was Dan, which rightfully left her a little concerned.  That is not how I remember it at all.  Yes, I loved to laugh when Dan quite rightfully got himself into trouble every episode, but my favorite characters were Christine and Harry.  Just like everyone else, I wanted them to end up together.  The bailiffs – and I mean all of them going back to Selma – were great too.  I suppose that is what bothers me most:  Night Court never seemed to get the proper sendoff or recognition it rightfully deserved.  What endears me most about Night Court is the fact that it never tried to be something it was not.  We just loved it for the campy, quirky, crazy show that it was.  Anything could, and often did, happen.

This is precisely what gives me hope for the reboot.  Going by what I saw in the first two episodes, Night Court isn’t trying too hard.  Is it perfect?  No.  I want to know what happened to Christine, Max, Roz, and Bull.  Christine especially deserves a mention considering the “ending” of the original series included both Harry and Dan professing their love for her.  While Harry decided to remain a judge and turndown several incredible job offers, he and Christine acknowledged their feelings for one another.  At the end of what should have been the last episode (altogether another story that only highlights issues with the ending), Dan decides to resign as assistant DA and follow Christine to Washington, DC.  Harry is told this, and immediately exclaims “My Christine!”

In the first episode of the reboot, Harry’s daughter Abby moves to New York to become the new night court judge, taking over a position her father held 30 years ago.  She is just as idealistic as her father.  She also happens to look as though she could be Harry and Christine’s daughter.  Almost immediately, the public defender in her court quits and she looks up Dan.  Given the “ending” to the original series, Dan most assuredly would have asked after her mother if indeed Christine was her mom.  We only know that Harry is her dad.  Sadly, much of the original cast has since passed on, including Harry Anderson (Harry Stone), Markie Post (Christine Sullivan), and Charles Robinson (Mac Robinson).  If I have one hope for the new reboot, it is that they find subtle ways to allude to the earlier show/cast.  They do a wonderful job of doing so in the case of Harry and Dan.  As of yet, no one else is mentioned.

I admit, I wavered as to whether or not I was even going to watch.  Then I learned that John Larroquette (Dan Fielding) was instrumental in getting it made, and the new cast consists of fans who grew up with the show much as I had.  The first two episodes are off to a solid start.  We will see if it will find its own niche.  I will say that the creators of the reboot did an incredible job of keeping the vibe of the old show (the dingy old courthouse in particular) while “updating” things a bit.  The new bailiff, Donna Gurgs, somehow channels both Roz and Bull at different times throughout the show.  There are tons of nods to the ‘80s in new show, my favorite being the mural of the Golden Girls – a stupid silly plot point that could only take place in Night Court.

I recently watched some of the earliest episodes of the original Night Court from season 1.  It is clear that it took a while for the show to hit its stride – a few years, in fact.  The reboot definitely has potential, and I am reassured that it is in the hands of fans of the original.  Do not be afraid to check it out.  It is currently streaming on Peacock