Category Archives: 80s

Review: Madonna 40

On Friday evening March 31st, 2023, I joined scores of others to attend “Madonna 40” at the Delta College Planetarium.  A sold out show, it was incredible – and a lot of fun!  Designed to honor Madonna’s 40th anniversary of her first hit single “Holiday” and her always controversial place in Bay City history, it did not disappoint.  My only wish: I would have thoroughly enjoyed another hour of her classic music videos and would have gladly paid accordingly.  There is nothing quite like watching the music videos that made Madonna a superstar and an inspiration to a generation of girls and women, for better or worse, on the big screen.  It is an experience I will never forget. Her early music will always be a part of the soundtrack to my early childhood memories.  In designing the program, the following original, unedited music videos were shown in all of their ‘80s and early ‘90s glory:

A still from arguably Madonna’s most iconic music video, Material Girl (1984).

Frankly, the music video portion of the program outshone everything else.  The videos have held up over nearly four decades.  What struck me most in the vintage videos was Madonna herself.  Definitely not model thin or “fat,” she exuded old-school glamor in “Material Girl,” “Vogue,” and “Like A Prayer” with the dance moves that made her famous.  As for “Papa Don’t Preach,” she looks like any fresh-faced midwestern high school or college girl.

Personally, I felt that the organizers/designers missed a huge opportunity by not including at least the videos for both “Promise to Try” (1989), which was largely filmed at her mother’s gravesite in Kawkawlin, Michigan (just north of Bay City), and “This Used to Be My Playground” (1992), which was included on the A League of Their Own soundtrack and supposedly written about Bay City becoming her refuge after her mother’s untimely death.  The only actual footage of Madonna in or near Bay City was not included in the program.  How?

The next segment of the program, “Smelly Little Town,” is originally why I wanted to attend the event and even moved around my schedule to do so.  Debuting as part of the Hell’s Half Mile Film and Music Festival in Bay City in 2021, I doubted I would ever have another opportunity to see it.  Growing up with the controversy, knowing Bay City a little too well, and having been born in Bay City myself, I had to check it out.

First and foremost, it is quite possibly the most Bay City thing I’ve ever seen in my life.  Let me just say this:  It began and ended with scenes of people polka dancing at the St. Stan’s Polish festival to the Steve Drzewicki Band, both Bay City institutions.  I half expected to see my ex’s parents go dancing on by.  In general, the film did a decent job describing Bay City, covering all aspects of the “smelly little town” controversy with Madonna, and explaining how ever-corrupt Bay City small town politics is the answer as to why Bay City has never really been able to capitalize on the fact that it is the birthplace of Madonna.

This mural in downtown Bay City was privately funded and tucked away on a small side street.

For those who don’t know, Madonna Louise Ciccone was born at the former Mercy Hospital in Bay City, Michigan on August 16th, 1958.  Madonna is her actual given name as she was named after her mother.  Upon her mother’s tragic death in 1963, Madonna spent time in Bay City with her grandmother, who lived in the Banks area, then home to a nearby oil refinery (hence the “smelly little town” comment that caused such an uproar).  To this day, there is very little commemorating Madonna in Bay City.  Then again, this is the same city that passed on becoming home to a casino and a minor league ballpark, both of which went to nearby communities.

If something wonderful is planning on coming to Bay City, one can be sure that public outrage will ensue in some way, shape, or form.  I am speaking from experience.  When I moved back to Michigan with my ex, a Bay City native, in 2005, the controversy over the then new Wirt Public Library – a gorgeous new anchor for downtown Bay City – had yet to wane.  While I agree it doesn’t have the history of the historic Sage Library in Bay City, people were genuinely upset over a beautiful new library downtown.  I will never understand the mentality.

Then again, back in 2005, Michigan experienced a one-state recession which was about to turn into the Great Recession.  2008 is covered well in the documentary.  It is rightfully called one of the darkest times in Bay City history, and frankly, I consider my life in Bay City (2005-2012) one of the darkest periods in my life as well.  Yet, while Bay City is almost unrecognizable from that dark hour, there is still nothing formal honoring Madonna in the city.

As much as I wanted to see “Smelly Little Town,” I doubt it would have been half as entertaining if not for my own experiences with Bay City and my early love of Madonna’s music.  In fact, much of it is forgettable.  However, it did a good job highlighting the ridiculousness of the entire situation and Bay City politics.  I actually understand the controversy now.  A little explanation and context behind Madonna’s comments would have changed everything.  In the same infamous 1985 interview with Jane Pauly, Madonna goes on to say that she has “great affection” for Bay City.

By the way, Bay City still is a “smelly little town.”  In a hilarious coincidence, I happened to drive by the Michigan Sugar plant on Friday on my way to see “Madonna 40.”  For those who don’t know, processing sugar beets can smell like hot garbage on a good day.  Friday, as I drove by, it never smelled worse.

Clearly, Madonna’s relationship with Bay City remains complicated.  I fully understand why.  My love/hate relationship with Madonna – I will always love Madonna’s music, but question her methods of self-promotion – mirrors my love/hate relationship with Bay City itself.  I do hope that she is commemorated in Bay City at some point.  Not every small town can claim to be the birthplace of the best-selling female musical artist of all time.

By the way, if you want a quick, accurate outline of Madonna’s complex history with Bay City, the article below does a wonderful job of doing just that.

‘The Madonna Controversy’: Five facts about Bay City’s Material Girl you may not have known

Book Review:  Confessions of a Prairie B*tch by Alison Arngrim (Audiobook)

Where do I begin?  First, if you are or were a fan of The Little House on the Prairie TV show in the 70s and 80s, I can’t recommend this book enough.  Be aware:  This isn’t saccharine.  Far from it.  If you are easily offended, this probably isn’t for you.  However, if you loved to hate Nellie as a little girl and wished each week for Laura to give Nellie exactly what she deserved – in spades – this book is for you.  If you ever thought that playing the most outrageous villain possible on TV would be fun, once again, this book is for you.  Last but not least, if you count Nellie Oleson and her overbearing mother Harriet among the favorite TV characters from your childhood, you need to read this book.

Frankly, both The Little House on the Prairie TV show and the children’s book series were a huge part of my childhood.  I can’t imagine growing up without either.  I do know that by 2nd grade, I was hooked.  Mrs. Butz reading Little House in the Big Woods to our 2nd grade class saw to that.  In early elementary school, I would fly off the bus to make sure I didn’t miss the start of Little House on the Prairie at 4 PM, in much the same way I made sure I was home at 4 PM during my high school years to watch Oprah.  It was simply what I did, and I loved every minute of it.

I know that there are still a lot of adult fans of the show out there – millions of them, in fact – but I’m not really one of them.  As an adult, I couldn’t get over the increasingly bizarre storylines that strayed further and further from the books – Albert’s opium addiction, anyone?  Then there was the issue of no mountains in Minnesota, where the show was supposedly set, and the fact that the Ingalls family spent a big part of Laura’s childhood in DeSmet, South Dakota.  In reality, the Ingalls family didn’t live in Walnut Grove for long.  Still, there was something special about the show.  It might be a little too sweet for my taste now, but back then, it was the best.

Nellie and Harriet made the show, of course.  The Ingalls were so wholesome and down to earth that they needed Nellie and Harriet as foils.  Personally, I think the show would not have worked without their over-the-top antics.  They had to be just that outrageous. In the book, Alison talks lovingly about her TV parents.  Supposedly, in real life, they were similar to their TV characters, although Katherine MacGregor (Harriet) was much nicer, even if just as bold.  Alison’s descriptions of Katherine alone make the book worthwhile.  As fun as Harriet was to watch, the best scenes were the ones in which Nellie and Laura actually fight.

About Laura and Nellie … in real life, Alison Arngrim (Nellie) and Melissa Gilbert (Laura) were best friends.  They spent a lot of time together on and off set and at each other’s homes.  One of their favorite pastimes happened to be simply appearing in public together.  People freaked out.  I can only imagine how much fun they had playing up their “rivalry.”

Alison’s antics with Melissa Gilbert are a great part of the book, but there is so much to unpack here.  First, there is that voice.  I chose to listen to the audiobook version as soon as I learned that she read her own book.  As soon as I started listening, I knew I had made the right choice.  Regardless, the book would have hit me with a huge wave of nostalgia, but Alison reading her book in a voice that I have always associated with childhood evil personified:  priceless.

In all fairness to Alison, she comes across as extremely down to earth in her book to the point that I’d actually love to meet her.  She spends quite some time discussing the perils and perks of playing one of TV’s greatest child villains.  Can you imagine growing up playing a character people loved to hate?  Once, during a publicity event at a private school, an event that she attended with Katherine MacGregor (Harriet Oleson), both in full costume, some of the students shoved her so hard that she laid face down on the pavement for a while until her father realized what had happened to her.  He ended up taking her home immediately.  It was the last time she attended a publicity event in costume.  How do you deal with that all before adolescence?

Alison Arngrim as Nellie Oleson with her TV mother, Katherine MacGregor as Harriet Oleson.

In the book, Alison uses the trauma she experienced as a child as a way to frame her memoir.  No, her trauma isn’t exactly what comes to mind with young stars and Hollywood, but sadly, it seems all the more common – and of course, very real.  I’m not going to discuss it here for many reasons; the main one being that, in a way, it is the point of her memoir.  I don’t want to spoil it for those who haven’t read it.  She has used that trauma to try and help prevent others from experiencing the same thing.  In essence, she uses her “inner b*tch” to create real legislative change in an effort to protect kids – all kids.

One of the more interesting tidbits I learned in the book is the history behind why the TV show deviated so much from the books.  Michael Landon supposedly exclaimed at one time:  “My God!  Have you actually read the books?  There are descriptions of churning butter!”  In other words, they had to up the action.  I get it, I do.  What makes a great book doesn’t necessarily make great television.

I suppose that’s what has always bothered me about the TV show.  As an aspiring writer, it sickened me to think what happened to Laura Ingalls Wilder’s original work.  Now, older and wiser, I can see the value of the TV show too.  I am sure it inspired millions of kids to pick up the original books.  All publicity is good publicity, right? For people who grew up with the TV show, I can’t recommend Confessions of a Prairie B*tch enough.  There are so many great aspects to Alison Arngrim’s memoir.  It is a wonderful combination of nostalgia, good story, and humor.  By the way, Alison’s voice impression of Melissa Gilbert is hilarious.  Several other memoirs have been written by the child stars of Little House on the Prairie.  In fact, I plan on reading both of Melissa Gilbert’s books.  I will be surprised if Confessions of a Prairie B*tch doesn’t remain my favorite.

Review: Night Court (2023) (Reboot)

Good ol’ Night Court.  I have to admit:  I’ve been a fan as long as I can remember.  Growing up in the ‘80s rocked and that included TV.  My favorites were The Cosby Show, The Wonder Years, Cheers, and of course, Night Court.  Something essentially slapstick quirky just resonated with kids.  I largely tuned in for all the zany characters and the craziness that befell the cast.  Keep in mind I was all of 11 when it went off the air.

My mom remembers that my favorite character was Dan, which rightfully left her a little concerned.  That is not how I remember it at all.  Yes, I loved to laugh when Dan quite rightfully got himself into trouble every episode, but my favorite characters were Christine and Harry.  Just like everyone else, I wanted them to end up together.  The bailiffs – and I mean all of them going back to Selma – were great too.  I suppose that is what bothers me most:  Night Court never seemed to get the proper sendoff or recognition it rightfully deserved.  What endears me most about Night Court is the fact that it never tried to be something it was not.  We just loved it for the campy, quirky, crazy show that it was.  Anything could, and often did, happen.

This is precisely what gives me hope for the reboot.  Going by what I saw in the first two episodes, Night Court isn’t trying too hard.  Is it perfect?  No.  I want to know what happened to Christine, Max, Roz, and Bull.  Christine especially deserves a mention considering the “ending” of the original series included both Harry and Dan professing their love for her.  While Harry decided to remain a judge and turndown several incredible job offers, he and Christine acknowledged their feelings for one another.  At the end of what should have been the last episode (altogether another story that only highlights issues with the ending), Dan decides to resign as assistant DA and follow Christine to Washington, DC.  Harry is told this, and immediately exclaims “My Christine!”

In the first episode of the reboot, Harry’s daughter Abby moves to New York to become the new night court judge, taking over a position her father held 30 years ago.  She is just as idealistic as her father.  She also happens to look as though she could be Harry and Christine’s daughter.  Almost immediately, the public defender in her court quits and she looks up Dan.  Given the “ending” to the original series, Dan most assuredly would have asked after her mother if indeed Christine was her mom.  We only know that Harry is her dad.  Sadly, much of the original cast has since passed on, including Harry Anderson (Harry Stone), Markie Post (Christine Sullivan), and Charles Robinson (Mac Robinson).  If I have one hope for the new reboot, it is that they find subtle ways to allude to the earlier show/cast.  They do a wonderful job of doing so in the case of Harry and Dan.  As of yet, no one else is mentioned.

I admit, I wavered as to whether or not I was even going to watch.  Then I learned that John Larroquette (Dan Fielding) was instrumental in getting it made, and the new cast consists of fans who grew up with the show much as I had.  The first two episodes are off to a solid start.  We will see if it will find its own niche.  I will say that the creators of the reboot did an incredible job of keeping the vibe of the old show (the dingy old courthouse in particular) while “updating” things a bit.  The new bailiff, Donna Gurgs, somehow channels both Roz and Bull at different times throughout the show.  There are tons of nods to the ‘80s in new show, my favorite being the mural of the Golden Girls – a stupid silly plot point that could only take place in Night Court.

I recently watched some of the earliest episodes of the original Night Court from season 1.  It is clear that it took a while for the show to hit its stride – a few years, in fact.  The reboot definitely has potential, and I am reassured that it is in the hands of fans of the original.  Do not be afraid to check it out.  It is currently streaming on Peacock

Michael Jackson – Thriller (1982)

Michael Jackson – Thriller (1982) (Official Video) (Lyrics)

(Written January 14, 2023)

The King of Pop.  It is difficult to explain to younger generations just how big Michael Jackson was in the early 1980s.  He was everywhere.  The Beatles, of course, were bigger in the 1960s, but I fail to think of anyone (or any band) bigger than Michael Jackson in the years since – with, of course, the exception of Madonna, who was just as big as the Queen of Pop during the same time period.

Similar to Madonna, Michael Jackson’s hits immediately take me back to my earliest childhood memories.  My love of MJ’s music, once again, has much to do with the influence of my older cousins.  I distinctly remember my mom giving my cousin Nicole a Michael Jackson doll for her birthday.  As a preschooler, I was envious!  There is even an adorable picture of Nicole and I sitting on Grandma’s lap, Nicole proudly hugging her new Thriller album.

Unlike the cloud that hangs over Madonna’s legacy, there is little question that Michael Jackson’s music holds up.  I noticed it the summer of 2009 right after his death.  All of a sudden it was cool to rediscover MJ’s hits, his questionable legacy suddenly forgotten.  I can’t help but wonder if the same will happen with Madonna upon her death.

Then there is Thriller itself.  The album, the song, and music video itself – in reality, almost a short film – are still fun to revisit.  As a child who loved the macabre and everything to do with Halloween, I adored the video.  Learning as an adult that VIncent Price lent his incredible voice to the video:  Priceless.  In my opinion, Thriller is one of the best music videos ever made.

Madonna – Material Girl (1984)

Madonna – Material Girl (1984) (Official Video) (Lyrics)

(Written January 12, 2023)

Almost any early Madonna song immediately takes me back to my early childhood, thanks to several older female cousins who adored her.  I fell in love right along with them and every other girl on the planet.  The Queen of Pop rightfully deserves several entries here, and it is only right that I start with Material Girl.

It is easy to dismiss Material Girl as an ode to greed, a quintessentially ‘80s throwaway pop song.  Personally, I think that is a bit harsh, and frankly unfair, even if I believe Madonna’s music hasn’t aged particularly well.  

Yet, I keep coming back to the video.  Yes, there are diamonds and countless references to Marilyn Monroe.  There is also something timeless that introduced an entire younger generation to the glamor of old school Hollywood.  In the music video, there are even sequences at the beginning and end of the song that make the video just a bit less outrageously materialistic.  As a young girl obsessed with Disney princesses and Barbie, Madonna seemed to have it all:  style, grace, and she could sing too.

As I grew older, remaining a Madonna fan became harder and harder to defend.  I distinctly remember being embarrassed for her when she was photographed everywhere in a cone bra and released the book Sex.  I was all of 11.

As Madonna appears to be struggling with aging gracefully (that is another topic entirely), I can only hope that we as a society don’t write off her music entirely as time goes on.  For me at least, her earliest work – what made her a star, the Queen of Pop – will always be a cherished part of my childhood.  Grab some popcorn and enjoy the video!