Category Archives: film

Review: Madonna 40

On Friday evening March 31st, 2023, I joined scores of others to attend “Madonna 40” at the Delta College Planetarium.  A sold out show, it was incredible – and a lot of fun!  Designed to honor Madonna’s 40th anniversary of her first hit single “Holiday” and her always controversial place in Bay City history, it did not disappoint.  My only wish: I would have thoroughly enjoyed another hour of her classic music videos and would have gladly paid accordingly.  There is nothing quite like watching the music videos that made Madonna a superstar and an inspiration to a generation of girls and women, for better or worse, on the big screen.  It is an experience I will never forget. Her early music will always be a part of the soundtrack to my early childhood memories.  In designing the program, the following original, unedited music videos were shown in all of their ‘80s and early ‘90s glory:

A still from arguably Madonna’s most iconic music video, Material Girl (1984).

Frankly, the music video portion of the program outshone everything else.  The videos have held up over nearly four decades.  What struck me most in the vintage videos was Madonna herself.  Definitely not model thin or “fat,” she exuded old-school glamor in “Material Girl,” “Vogue,” and “Like A Prayer” with the dance moves that made her famous.  As for “Papa Don’t Preach,” she looks like any fresh-faced midwestern high school or college girl.

Personally, I felt that the organizers/designers missed a huge opportunity by not including at least the videos for both “Promise to Try” (1989), which was largely filmed at her mother’s gravesite in Kawkawlin, Michigan (just north of Bay City), and “This Used to Be My Playground” (1992), which was included on the A League of Their Own soundtrack and supposedly written about Bay City becoming her refuge after her mother’s untimely death.  The only actual footage of Madonna in or near Bay City was not included in the program.  How?

The next segment of the program, “Smelly Little Town,” is originally why I wanted to attend the event and even moved around my schedule to do so.  Debuting as part of the Hell’s Half Mile Film and Music Festival in Bay City in 2021, I doubted I would ever have another opportunity to see it.  Growing up with the controversy, knowing Bay City a little too well, and having been born in Bay City myself, I had to check it out.

First and foremost, it is quite possibly the most Bay City thing I’ve ever seen in my life.  Let me just say this:  It began and ended with scenes of people polka dancing at the St. Stan’s Polish festival to the Steve Drzewicki Band, both Bay City institutions.  I half expected to see my ex’s parents go dancing on by.  In general, the film did a decent job describing Bay City, covering all aspects of the “smelly little town” controversy with Madonna, and explaining how ever-corrupt Bay City small town politics is the answer as to why Bay City has never really been able to capitalize on the fact that it is the birthplace of Madonna.

This mural in downtown Bay City was privately funded and tucked away on a small side street.

For those who don’t know, Madonna Louise Ciccone was born at the former Mercy Hospital in Bay City, Michigan on August 16th, 1958.  Madonna is her actual given name as she was named after her mother.  Upon her mother’s tragic death in 1963, Madonna spent time in Bay City with her grandmother, who lived in the Banks area, then home to a nearby oil refinery (hence the “smelly little town” comment that caused such an uproar).  To this day, there is very little commemorating Madonna in Bay City.  Then again, this is the same city that passed on becoming home to a casino and a minor league ballpark, both of which went to nearby communities.

If something wonderful is planning on coming to Bay City, one can be sure that public outrage will ensue in some way, shape, or form.  I am speaking from experience.  When I moved back to Michigan with my ex, a Bay City native, in 2005, the controversy over the then new Wirt Public Library – a gorgeous new anchor for downtown Bay City – had yet to wane.  While I agree it doesn’t have the history of the historic Sage Library in Bay City, people were genuinely upset over a beautiful new library downtown.  I will never understand the mentality.

Then again, back in 2005, Michigan experienced a one-state recession which was about to turn into the Great Recession.  2008 is covered well in the documentary.  It is rightfully called one of the darkest times in Bay City history, and frankly, I consider my life in Bay City (2005-2012) one of the darkest periods in my life as well.  Yet, while Bay City is almost unrecognizable from that dark hour, there is still nothing formal honoring Madonna in the city.

As much as I wanted to see “Smelly Little Town,” I doubt it would have been half as entertaining if not for my own experiences with Bay City and my early love of Madonna’s music.  In fact, much of it is forgettable.  However, it did a good job highlighting the ridiculousness of the entire situation and Bay City politics.  I actually understand the controversy now.  A little explanation and context behind Madonna’s comments would have changed everything.  In the same infamous 1985 interview with Jane Pauly, Madonna goes on to say that she has “great affection” for Bay City.

By the way, Bay City still is a “smelly little town.”  In a hilarious coincidence, I happened to drive by the Michigan Sugar plant on Friday on my way to see “Madonna 40.”  For those who don’t know, processing sugar beets can smell like hot garbage on a good day.  Friday, as I drove by, it never smelled worse.

Clearly, Madonna’s relationship with Bay City remains complicated.  I fully understand why.  My love/hate relationship with Madonna – I will always love Madonna’s music, but question her methods of self-promotion – mirrors my love/hate relationship with Bay City itself.  I do hope that she is commemorated in Bay City at some point.  Not every small town can claim to be the birthplace of the best-selling female musical artist of all time.

By the way, if you want a quick, accurate outline of Madonna’s complex history with Bay City, the article below does a wonderful job of doing just that.

‘The Madonna Controversy’: Five facts about Bay City’s Material Girl you may not have known

Across the Universe (2007)

Liverpool Docks
Liverpool Docks” by wwarby is licensed under CC BY 2.0.

I’ve wanted to write about Across the Universe (2007) ever since I first watched it several months ago.  It is one of those movies that grabs you, not letting you go.  Just when you think you have it figured out, you start back at the beginning.  I’m afraid I won’t do it justice.

Let’s start with the facts.  First, it was a given that I would enjoy Across the Universe (2007) for the music and subject matter alone.  A musical using new renditions of Beatles’ songs that encompasses many of the major themes of the 1960s?  What isn’t there to like?  Never mind the actual film.  It was either going to be wonderful or something never to speak of again.

Next, the music itself is exceptional.  When it comes to Beatles’ music, I am normally skeptical when it comes to covers (with the exception of Joe Cocker, of course).  In this case, Evan Rachel Wood (Lucy), Jim Sturgess (Jude), and Dana Fuchs (Sadie) forced me to look at some of the Beatles catalog in a new way.  Not an easy feat.  There are several examples of this, but some of the ones that come to mind immediately are “It Won’t Be Long” (Evan Rachel Wood), “I’ve Just Seen A Face” (Jim Sturgess), and “Why Don’t We Do It in the Road?” (Dana Fuchs).  That is just for starters. The use of “Let It Be” (Carol Woods & Timothy T. Mitchum) as a hymn fits the scene(s) perfectly.

My feelings on the song “Across the Universe” have evolved as result.  While I’ve always liked “Across the Universe,” I would be hard pressed to even rank it among my top 25 or possibly 50 Beatles’ songs.  No joke.  The movie made me reevaluate.  While I enjoy the movie version of “Across the Universe,” the cover by the band Evanescence is now one of favorite songs.  It is haunting in the best possible way, not easily replicated.

Fortunately for us, the music is only the beginning.  All the principals not only can act and sing, but dance as well.  The choreography in Across the Universe (2007) is second to none and, along with superb costume and set design, make the movie.  It enhances the music in a way that is unforgettable.  The bowling scene that takes place during “I’ve Just Seen A Face” is so much fun and over the top.  While the first part of the movie is just that – fun and over the top – the choreography and music work together to tell a much darker story as the movie progresses.

While I won’t give away the plot, it is the plot itself that keeps me guessing, keeps me coming back to the movie.  When I finished watching Across the Universe (2007) for the first time, my first thought was:

What the heck just happened?  What did I just watch?

Frankly, its plot, or lack thereof, is both its strength and weakness.  While it isn’t as though it doesn’t have a plot at all, there are large swaths of the movie that leave you asking so many questions.  Much can explained away by implied drug use.  Now might be a good time to mention that Across the Universe (2007) earned every bit of its PG-13 rating.  Personally, I believe it should be more in the R category considering the violence, implied drug use, and sexual references/implications.

Implied drug use can explain away much of the plot issues in the movie, but it doesn’t explain everything.  For example, there are certain characters (namely Prudence, Sadie, and Jo-Jo) that I want to know more about.  They are that interesting, considering what we know of them.  However, I have yet to figure out the purpose of Prudence’s character.  She seems to just show up.

While it is easy to see all of these things as “flaws” with the plot, I have to wonder if it wasn’t intentional.  I’m not quite sure how the movie could have captured as much of the history of the ‘60s as it did without leaving so much to the viewer’s imagination.
As a Beatles fan, that is what is so fun about this movie.  There are so many references for fans.  My personal favorite is the Brigitte Bardot poster.  Supposedly all the Beatles had a huge crush on her.  Then, there are the characters themselves.  Jude, played by Jim Sturgess, looks an awful lot like a young Paul McCartney.  His character is even from Liverpool.  With some characters, it is obvious:  Jo-Jo is somehow a stand-in for Jimi Hendrix.  Others, it isn’t so clear.  For example, I want to peg Sadie as Janis Joplin, and yet, it doesn’t feel quite right.  In the end, the music, the choreography, the confusing plot, and the Easter eggs geared towards Beatles fans will keep me coming back.  If you like the Beatles at all, it is a must-see.  If I ever have the opportunity to see it on the big screen, I am there.  I’m not sure how I missed Across the Universe (2007) when it was first released.